Artist Book (Pattern Design)

Dani is a young and talented visual artist, this book showcases her fascination with pattern, at once structured and yet in unexpected ways, beautiful book!

Danielle's Design Soul

My latest work explores repetitive pattern  and establishes an order and structure, only to bring a visual disruption, within the layers pattern. This is where I find beauty, mystery and attraction.

Artist book, pattern inspired by the aesthetics of nature.

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What every good artist needs to hear…

Every now and then I metaphorically hit a brick wall or start to doubt myself, but I don’t consider it a weakness, on the contrary, its at these times that I seem to dig deep and as long as I don’t let my feelings overwhelm me then I can do my best work.

BUT sometimes the hole is just too deep and you need someone to say, no nonsense and straight up, just do it! My mentor told me just that earlier in the year when I was balancing on the cusp of mediocrity and it knocked me back for a few seconds while I digested his challenge, I was being self defeating and settling because I believed I couldn’t do what I wanted to do. Once I got over that (about 30 seconds) I agreed and went on to produce a piece of work that I was extremely proud of, not mediocre, special.

So what I’m getting to eventually is, while researching the artist Eva Hesse (1936-1970) I came across a letter that her mentor had sent her when in a similar situation, it’s bloody marvellous and I wanted to share it because it is cruel and honest and something only a person who truly cares about you would dare say to you…

Date letter written: April 14 1966

Writer: Sol LeWitt

Recipient: Eva Hesse

Screen Shot 2015-10-13 at 8.50.01 pm

 

Excerpt taken from:

DSC03169

DSC03170

 

Cheers
L.

Vertical vs Horizontal

This week I’m continuing my exploration into the language of paint through the process of painting, the physical act of applying paint with squeegees to a surface.

Narrowing my palette to black and white allows me to concentrate on the material qualities of paint without having to consider the complexities of colour, however you may see some small touches of colour crept into the frame, used sparingly.

I don’t disregard colour, I instead want to challenge my understanding by paring everything back to the minimal. And the dangers of using certain colours together is to potentially become a cliche and or decorative, producing ‘nice’ paintings that ‘go’ with stuff, a fine line many abstract artists must confront.

The following are works started last week, which have moved in different directions but have a connectivity through the language of paint, the compulsive making of marks, repetition and deconstruction.

DSC03079

Untitled, 2015, acrylic on canvas, 300 x 600mm.

DSC03081

Thanks

Leanne

Final Project 2015 – Drawings Wk #3

Last week (three weeks into the final project) I had a mini crisis when I started to doubt my direction, not uncommon for me but a well needed wakeup call. And that led to me asking some hard questions, from there I went back to the basics and…

when in doubt, draw…

Drawing Wk 3 #1 close up. Black oil stick on A3 paper.

Drawing Wk 3 #1 close up. Black oil stick on A3 paper.

Drawing Wk 3 #1 closeup. Black oil stick on A3 paper.

Drawing Wk 3 #1 closeup. Black oil stick on A3 paper.

 

 

 

 

 

 

 

 

Drawing Wk 3 #2. Black and White oil stick on A3 paper.

Drawing Wk 3 #2. Black and White oil stick on A3 paper.

Drawing Wk 3 #2 Closeup. B&W oil stick on A3 paper.

Drawing Wk 3 #2 Closeup. B&W oil stick on A3 paper.

 

 

 

 

 

 

 

Drawing Wk 3 #2 Closeup. B&W oil stick on A3 paper.

Drawing Wk 3 #2 Closeup. B&W oil stick on A3 paper.

 Drawing Wk 3 #3. Wire on board.

Drawing Wk 3 #3. Wire on board.

 

 

 

 

 

 

 

 

Drawing Wk 3 #6. B&W oil stick on paper.

Drawing Wk 3 #6. B&W oil stick on paper.

Drawing Wk 3 #5. B&W oil stick on paper.

Drawing Wk 3 #5. B&W oil stick on paper.

 

 

 

 

 

 

 

Drawing Wk 3 #4. Black and blue oil stick on paper.

Drawing Wk 3 #4. Black and blue oil stick on paper.

Drawing Wk 3 #4 close up. Black and blue oil stick on paper.

Drawing Wk 3 #4 close up. Black and blue oil stick on paper.

 

 

 

 

 

 

 

 

 Drawing Wk 3 #7. B&W oil stick on brown paper.

Drawing Wk 3 #7. B&W oil stick on brown paper.

 

 

 

 

 

 

 

 

 

Drawing Wk 3 #8. Black oil stick on butter paper.

Drawing Wk 3 #8. Black oil stick on butter paper.

 

 

 

 

 

 

 

 

 

 

 

Drawing Wk 3 #9. White oil stick on black paper.

Drawing Wk 3 #9. White oil stick on black paper.

 

 

 

 

 

 

 

 

 

 

Drawing Wk 3 #10. B&W oil stick on black paper.

Drawing Wk 3 #10. B&W oil stick on black paper.

 

 

 

 

 

 

 

 

 

Drawing Wk 3 #11. B&W oil stick on butter paper.

Drawing Wk 3 #11. B&W oil stick on butter paper.

 

Drawing Wk 3 #12. Black ink pen and white oil stick on butter paper.

Drawing Wk 3 #12. Black ink pen and white oil stick on butter paper.

 

 

 

 

 

 

 

My brief?

Simply put, I will exhibit a series of 2D abstract paintings (on canvas and/or board using acrylic and/or oil paint), that may be shown with 3D paintings.

Honest and constructive comments most welcome,

L.

PS, I made my squeegee tools today! very excited to try them out and will post a ‘how I did it’ in the next few days.:-).